The Goodly Tree of Paradise
Tilāwah: Sūrah Ibrāhīm 23 – 27
Riwāyah: Khalaf ʿan Ḥamzah
Archive: Karachi, 1439
The tree in the Qurʾān is shown to have deep rooted meanings, ranging from the shajarah taiyyibah (the Goodly Tree) to the shajarah khabīthah or the shajarah malʿūnah (the Wicked or Accursed Tree).
Today’s recitation was a fitting illustration of the vocal tree, roots of the voice firmly fixed to the ground and intonations of the maqāms flying high, breaching the limits of the sky. With the recitation following the captivating path of the riwāyah of Khalaf, the maqāms bayātī and rast in their qarār reigned supreme. The multiple wujūhāt of Khalaf were presented in beautiful style.
The following section deals with the Khalaf distinctions of today’s recitation.
When Ḥamzah stops on a madd muttaṣil, he offers five ways to recite the concerned word:
- Short madd (2 ḥarakah)
- Medium madd (4 or 5 ḥarakah)
- Full madd (6 ḥarakah)
These three conditions entail the sukūn on hamzah (as you can hear in the clip)
- Tas-hīl on hamzah with a short madd with rawm
- Tas-hīl on hamzah with a full madd with rawm
Tas-hīl is when the hamzah is pronounced without its sharpness, and as a result, becomes blunt and facile, sounding like a mixture of the sharp hamzah and the hāʾ.
Rawm, a sukūn method, occurs exclusively on a ḍammah (pesh) or a kasrah (zayr). It is done by pronouncing 1/3 (one-third) of a ḥarakah when stopping on a word ending with a ḍammah or a kasrah. Listen to the clip carefully to identify rawm pronounced in conjunction with the tas-hīl.
The Transitions of Mustafa Ismail – Chapter 1
Today’s article discusses how Sheikh Mustafa Ismail transitions into the maqām nahāwand from other maqāms. It is advisable, at this point, to return to the previous article and go through the concepts listed there to freshen up your memory.
Transitioning from one maqām into another is something that experts in this field are accustomed to. One must know that there are no set rules for making such transitions. For instance, if you are in the maqām rast, you are free to transition into any other maqām.
However, it is customary for experts to create and adopt a certain style for making such transitions. One such expert is Sheikh Mustafa Ismail who follows a certain style and/or method that he has created for himself to transition into and from the various maqāms. This method of transitioning applies to his beginnings, endings and intermediate recitations.
The Sheikh begins his recitations with the maqāms of the first group (bayāt, ṣabā, ḥijāz). After he completes employing whichever maqāms he wishes to from the first group, he proceeds to transition into the second group (rast, nahāwand, jihārkāh, sīkā).
Thus, the Sheikh begins with bayāt, then transitions into ṣabā and then uses ḥijāz if he wishes to. When he transitions into the second group, he either uses nahāwand or sīkā to do so.
The Sheikh rarely transitions from bayāt (group 1) into nahāwand (group 2). Listen to the following clip containing one such rare transition:
The Sheikh normally transitions from bayāti to ṣabā and from ṣabā to nahāwand. Listen to the following example:
At times, the Sheikh uses all the three maqāms of the first group in their listed succession.
In this case, the Sheikh uses two methods for transitioning into the second group:
First: Transition from Ḥijāz into Sīkā
Second: Transition from Ḥijāz into Nahāwand
In conclusion, the Sheikh commences with bayāt. He rarely transitions into nahāwand directly. More commonly, he transitions briefly into ṣabā and progresses to nahāwand or proceeds to ḥijāz after ṣabā and then transitions into either nahāwand or sīkā.
Allah Allah !
Not just Qiraat, much more than Qiraat ….. the Articles takes to the upper deck to help u explain the Recitation
subhanallah…today i consider myself how low knowledge i have of tilawat e quraan…today it brought up my level of understanding…
jazakallah to share this kind of knowledge
it surely is helpful in doing qiraat and learning different steps to raise one’s level
Jazkallaolh o kharin .
Good explanation of transitions ,some arabic text might add more explanation to it.
Arabic texts can be found on the web (المقامات)
this is one of the barakaat and sa’adat of aali qadar moula’s era that we are marvelled by the usloob uf different qiraat rendered by shz aali waqar syedi husain bs burhanuddin dm. it not only motivates us to learn fann’ul qira’ah but also compels us to take a step forward towards hifz ul quran.
jazkallah team MHB
Aleifya emaj mane pan mehsus thayu
it was good i really undersatnd all the things properly
Can we get a chart or something like a table which summarises all the characteristics of these qiraat. I m confused for how to recite various maqaams.
Ekdum amazing. Thankful ke this is in English script. Lisanud dawat ma bhi hoi ye achu che magar English is easier to read on phone.
Beautiful explanation. MashaAllah